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Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Critical Examination at Ecstasy Generation Era

The work of Bristol sound co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Duel

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game releases in British and Irish cinemas from November 17.

The writer

Jennifer Ramirez

A seasoned financial analyst with over a decade of experience in corporate finance and investment strategies.

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